I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.

This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.

The danger is not so much in the economic structure of a society but in its intellectual structure.

And I liked this extreme character of de Sade.

To avoid depression while travelling, I always take loads of items that make me feel connected with home. I can't even explain the joy I felt when I realised I'd remembered to pack my vanilla and mango scented beard oil. The feeling of euphoria was similar to my kids being born.

From the Left comes the proposition that, given the slow economy, we should defer attending to the problem of mounting obligations - and the truly delusional idea that growing federal debt doesn't matter because we owe most of it to ourselves.

My parents would use all of their money for us to go new and exciting places, instead of a new television or a big car.

You have to be very poor and desperate, or very rich, or lucky, to live in Islington. We don't have the people in the middle, the people who serve the community.