I prefer it when I can intimidate the audience rather than the audience intimidate me. I've been lucky in my career to have both.

Once you made that decision to split New Order up, you were like, 'Woo-hoo! I better get out there and get a job.'

I think people expect mud at festivals, I think you'd be asking for your money back if you didn't get it.

In the late '70s, the conditions that bands had to endure were, shall we say, not as civilized as they are today. People were a lot more aggressive back then. So there was definitely a lot of suffering for your art. But I would argue that was a good thing. Generally, people make better music when they suffer.

Focus on the journey, not the destination. Joy is found not in finishing an activity but in doing it.

I used to bodyguard for Muhammad Ali, Leon Spinks, Sugar Ray Leonard. I used to bodyguard a lot of diamond merchants; I would travel with a suitcase full of diamonds and take them from point A to point B. My reputation grew because I was a professional. I did my job, and I was courteous - a no-nonsense guy.

Things always evolve and change on location, especially due to the nature of travel and the waves. A lot of unexpected things happen. Often we get lucky, but we also find ourselves scrambling a lot, especially when we are looking for waves in the remote spots of those locations.

Soccer presented no challenge to me. Playing felt like breathing: I always had a magical connection to the ball. But it didn't feel like an adventure. Music was more of a challenge and, in the end, felt more interesting.