I've talked to a lot of artists - painters, writers, musicians - many of whom have had great ideas on trains. The only explanation I have is all that stuff is coming at you while you're relaxed, so somehow it kicks you into hyperspace in terms of brain function.

I'm often guilty of overcooking and too much arrangement and throwing too much at it. But I think as I get older, I'm learning better when to be empty and when to be full.

Snowden's revelations shocked the world and made it very clear why we need to have some way to look over those who look over us. With increasing terrorist attacks, security is critical, but not without any accountability or oversight.

I think another thing is that we don't really want exclusivity. We accept that it is in the artist's interest to be on sale in every place where they sell music.

In 1981, I borrowed 2,000 pounds - a lot of money back then - paid 50 quid for a seat, packed my own sandwich, and hopped on a plane to America. It was a mighty leap, but one that paid off. A week later, I got a job called 'Remington Steele.'

I don't trade my vote for money.

Hollywood is a world where the only thing that gets green-lit is something that made money the last year.

Before the arrival of my first son, I gave up on the moribund business of magazine publishing, where I had long dreamed of a career, and went to work in advertising. That I could be paid great money to write was incredibly hard to believe.