To call someone like me a writer-activist suggests that it's not the job of a writer to write about the society in which they live. But it used to be our job.

The amassing of unfettered wealth of individuals and corporations should stop. The inheritance of rich people's wealth by their children should stop. The expropriators should have their wealth expropriated and redistributed.

For many people, the family is portrayed as the settled place of reasonable safety, but as anyone who has read 'The God of Small Things' would know, for me it was a dangerous place. I felt humiliated in that space. I wanted to get away as soon as I could.

My mother is like a character who escaped from the set of a Fellini film. She's a whole performing universe of her own. Activists would run a mile from her because they could not deal with what she is.

It is troubling that modern slavery is a crime that can be hidden in the supply chains of the goods and services we use every day. The uncomfortable reality is that the money we spend could be driving demand for slavery across the globe.

My ambition is to have beautiful encounters, not to make money.

What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'

When you use any kind of internet-based capability, any kind of electronic capability, to cause damage to a private entity or a foreign nation or a foreign actor, these are potential acts of war.