Because of my capacity for listening to strangers' tales, or the details of their lives, my patience with their food and their crotchets, my curiosity that borders on nosiness, I am told that anyone traveling with me experiences an unbelievable tedium, and this is why I choose to travel alone.

The job of the travel writer is to go far and wide, to make voluminous notes, to tell the truth.

The people I've known who've done great things of that type - you know, building hospitals, running schools - are very humble people. They give their lives to the project.

When I left Africa in 1966 it seemed to me to be a place that was developing, going in a particular direction, and I don't think that is the case now. And it's a place where people still kid themselves - you know, in a few years this will happen or that will happen. Well, it's not going to happen. It's never going to happen.

No doubt, the most important thing in my career was my time with Mr. Bergman, with whom I worked in so many films and also in so many stage productions, so it was a continuous working relationship and also a friendship, of course, that lasted for so many years.

Look, I just read out loud for a living. Most of my friends are doctors or lawyers, people I went to university with, they're on the train at 7 A.M. and don't get home until 7 P.M. They work bloody hard, and they're allowed to be overwhelmed. I don't think I'm allowed, really.

The video game business is primarily a male-oriented business. And I have three girls. And you see the things that are important to them in their game experiences are the social interaction. They love the ability to chat with their friends. They love the ability to have some connection online with other people.

I made a lot of movies that people loved when I was a kid, but I didn't have any real relationship to them.