Growing up in Iowa, there weren't many people who looked like me. And then when I moved out to L.A., every guy in comedy looked like me.

It would be easy for someone to think growing up in a small town would be like 'Footloose' or something, that it would be, 'No dancing allowed!' all the time, but it was quite the opposite. People always got excited for me and my successes and supported me even though I was a little weirdo goofball.

Growing up in a small town, in the Midwest, and Catholic - those are sort of three layers of repression.

I was such a fan of Quentin's growing up. I remembered I wanted to see 'Pulp Fiction' so badly, but my mom had seen it, and even though she loved it, she just thought it wasn't appropriate for a 13-year-old.

I think my comedy, the put-downs I do to hecklers, are the accumulated bitterness of years of people feeling that it's perfectly acceptable to make a comment on your appearance when they don't even know you.

The hardest part of comedy is writing the jokes, and the second-hardest part is telling the jokes. To me, everything else is significantly easier.

I was in something called 'Garth Marenghi's Darkplace' which was a real cult comedy; it's sort of a spoof horror sort of thing, and it only ever had one series, but I liked the fact that it only had one series because it's kind of got this little gemlike quality to it that there were only ever six episodes.

Good late-night humor can work at any time of the day.