For my Oxford degree, I had to translate French and German philosophy (as it turned out, Descartes and Kant) at sight without a dictionary. That meant Germany for my first summer vacation, to learn the thorny language on my own.

The sharpest memory of our old-fashioned Christmas eve is my mother's hand making sure I was settled in bed.

There must be an alternative between Hollywood and New York, between those two places psychically as well as geographically. The University of Iowa tries to offer such a community, congenial to the young writer, with his uneasiness about writing as an honorable career, or with his excess of ego about calling himself a writer.

I have lectured at Town Hall N.Y., The Library of Congress, Harvard, Yale, Amherst, Wellesley, Columbia, Michigan, Indiana, Illinois, Louisiana State University, Colorado, Stanford, and scores of other places.

There was no theater in my high school. I think even our art program was cut - it was so bad. I didn't even know that was a possibility in college or in high school; I hadn't even thought of it. It was pretty negligent. My father has run a bulldozer all of his life, and my mom is in real estate.

I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.

Every season, I absorb everything around m:, the people I see on the street, the discos, the art, the music, and the energy of places from my travels. I mix all of this together, and then I begin to create.

Writing is a recording that you can cut up and reassemble. Sound is something you can cut up and reassemble. Film, video - you know, the main tools of culture - can all be cut up and reassembled.