I don't storyboard. I guess it dates back to my days in live television, where there was no possibility of storyboarding and everything was shot right on the spot - on the air, as we say - at the moment we were transmitting. I prefer to be open to what the actors do, how they interact to the given situation.

I think there's a quality of passion to the American actor. I'm certainly attracted to it, and I like to hope that underscoring it is a characteristic of my work. That quality is certainly also present in some British actors, but I tend to feel the mechanical and intellectual process is dominant in the British.

I believe, and this is perhaps too nationalistic a view, that the American style of acting puts actors quickly in touch with each other, so that their continuous presence in a company, as in England, is not absolutely necessary.

400 Blows' was so much like my own childhood, it really stunned me.

My track record is that I have always sought to work with warmth and in a constructive way with the leaders of other components of the Jewish faith.

I just went up to my mom one day and said, 'I wanna be on TV. I wanna be a superstar!' Since I know this is my passion, and I feel like God chose this career for me, I just knew I was ready to do it.

One of the most beautiful ways for spiritual formation to take place is to let your insecurity lead you closer to the Lord. Natural hypersensitivity can become an asset; it makes you aware of your need to be with people and it allows you to be more willing to look at their needs.

Look out into the universe and contemplate the glory of God. Observe the stars, millions of them, twinkling in the night sky, all with a message of unity, part of the very nature of God.