All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.

The theater is a tough place. It's not cushioned the way it is in film and television.

New York seems to be thriving, which I'm grateful for. But I would hope that they would figure out how to negotiate the traffic and limit the pedicabs, because it seems to me that it's becoming a more chaotic city.

I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.

Success produces success, just as money produces money.

I'm from a middle class family, but my father squandered all the money, so I didn't really run around with rich people.

Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.

When I was leaving college, getting ready to graduate with a degree in finance, I had job interviews for months and months - and nothing really was moving like a real opportunity. Meanwhile, a lot of my wrestling teammates at Oklahoma had started getting into MMA training.