To get a job as a blackjack dealer, you have to be able to count very quickly. Obviously, you need to do at least math, adding up to 21 very quickly.

I was always into film, but theater was my entry point. I always felt like film didn't make sense to me as a kid. It was just so magical that I was like, 'There's something going on back there that I don't know.' But, when I watched theater, it was something that was happening in front of me.

We'd get into trouble a lot in school, and I could sweet talk my way out of it. I was really a charmer: I was the guy who would get to the office, the principal would sit me down, and within 10 minutes, we'd be, like, talking about some movies or something.

I'm terrible at languages. I'm trying to learn Spanish. I tried to learn French as a kid.

The one thing that people don't get about GE is that, to the people who work here, it's not a company. It's not just a job. You feel like you're part of a 120-year-old ever-growing, ever-improving family.

I used to make my grandparents pay a dollar to watch me sing 'Grease' songs and 'Somewhere Over the Rainbow' in their living room. I was always an entertainer, and I would always do all that stuff, but it slowly evolved into a career, which is great, but it wasn't a plan.

There is a lot of interest in the arts, music, theatre, filmmaking, engineering, architecture and software design. I think we have now transitioned the modern-day version of the entrepreneur into the creative economy.

I was only ever part of 'Lost' - a very small part of an extremely talented writers' room, where as a writer, it's sort of your job to sublimate your ego and work in the service of the show and the show's voice.