I think that we live in a highly specialized, technologically advanced society. Highly developed societies tend to have very remote understandings about what underlies our prosperity.

I'm really interested in how conflicts arise and how they reach points of no return. I'm no pacifist. Sometimes force is necessary. But war is a choice.

I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this particular trend goes on, or if this particular trend is the most dominant. That's a science fictional tool.

I think that, when I think about the future that 'The Water Knife' represents, it's one where there's a lack of oversight, planning and organization.

Surveillance cameras might reduce crime - even though the evidence here is mixed - but no studies show that they result in greater happiness of everyone involved.

False happiness renders men stern and proud, and that happiness is never communicated. True happiness renders them kind and sensible, and that happiness is always shared.

When you're a musician and you come from a singing background, specifically one that focused a lot on a cappella music as I have, it's just a real joy to be around so many talented people and talented groups who have a passion for what they do.

What I look at, success is about really being grateful. You wake up in the morning, and you're thankful that you could breathe because it's a beautiful planet we live on, and I know there is a lot of struggle and pain, but there is more joy.