I think the model that I look at is someone like Jakob Dylan, whose dad is obviously every bit if not more famous than mine. He's a guy who sought to build a career on his own, doing something that's a little bit different than what his father does.

I didn't want to write a book as Stephen King's son, because all I did was get born, and that's not much of an accomplishment. If that was the reason my book was published, it wouldn't be worth the paper it was printed on. I wanted to do my own thing.

The last thing I want to do is to present something as 'Stephen King, Part II,' and have it be something that's a big disappointment.

Just because it's physically impossible for Steve Buscemi to be in every movie doesn't mean he's not capable of dramatically improving them all.

I think great humor lies in playing the truth of a situation.

All people are sad clowns. That's the key to comedy - and it's a buffer against reality.

Next to power without honor, the most dangerous thing in the world is power without humor.

When I started acting, doing theater stuff at a young age, I was always the comic relief-type roles, so I knew I had a funny bone and could make groups of people laugh, but I didn't really take it seriously until I started getting paid on a weekly basis; then I was like, 'Oh, well, this could be a lifestyle.'