I think one of the problems when we discuss the Israel-Palestine conflict is people talk too much in terms of, 'What's your preference?,' like politics is a Chinese menu - I'll take one from column A and two from column B. That's not what politics is about.

I was bashing Israel in the past because nobody else was exposing its true record. Many people are doing it now, so I switched hats from a critic of Israel to a diplomat who wants to resolve the conflict. I have not changed, but I think the spectrum has moved.

DePaul's plot to deny me tenure had nothing to do with my faults. In fact, and ironically, it viciously attacked me and destroyed my career because of my virtues. Which, although few in number, they still found threatening.

The real goal of politics has to be getting people to act on what they already know was wrong.

I learned mime back when I was in college, at Ball State University, Indiana. That woke up my body from the neck down and made me realize that acting and communication - portraying a story, event, or emotion - is a full-body experience.

I've been taught through life experience that, like, I'd better open my mouth and quickly define myself in a new space and with new people because, if I don't, I will be defined.

It's humiliating, being told you're not responsible enough to make your own choices in life.

One lesson I learned from 'The Monstrumologist' was never to get too attached to your own characters. That's harder in practice than in theory. At the end of the third book - which coincided with the end of my contract - I was an emotional wreck. I mourned Will Henry and Warthrop.