When I was growing up, and periodically going to India to visit my grandmother, my classmates would often ask me about the trains. There was an exotic fascination with people sitting on top of the carriages.

When we were growing up we were all asked to accept ourselves as British citizens, and I still hold on to this idea that multicultural Britain is possible.

But I like the process of putting a show together and the impact that Edinburgh has on me as a performer.

I got fired from a job years ago. It was an accounting job. They were basically trying to cut corners, so they employed a bunch of temps to do proper accounting. And it just caused absolute bedlam and I did get fired.

My comedy does not come from a place of deep cynicism, and I tend to play characters who are naive in some way.

I really like dramas that have a tone of comedy in them or the opposite, and those are done by people like Alexander Payne and Jason Reitman but also Spike Jonze and David O. Russell and Paul Thomas Anderson, the Coen Brothers.

You can defeat fear through humor, through pain, through honesty, bravery, intuition, and through love in the truest sense.

There aren't a lot of roles in comedy for women of a certain age to play, especially with a 22-year-old.