To me, 'The End of the Jews' - both the title and the novel itself - is about the end of pat, uncritical ways of understanding oneself in the world.

When it comes right down to it, developing a critical sensibility about parenting isn't really about disapproval; it's about honing your own sensibilities, figuring out how you want to parent.

The paradox of being in an industry where other people are usually the gatekeepers: publishers, editors - there are a lot of barriers to having control over your career. But coming out of hip-hop, the mindset was always to create your own.

Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.

Of course, mankind would not have landed on the Moon in 1969, were it not for two things: conquered Nazi rocket technology and post-war anti-Communist paranoia in the United States.

Please God, I'll never be in a war zone, but everything I sort of know about people who come back is that it's a hard transition to make. I mean, even if you've not been in a war, even if you've just been in the Forces, you come back and probably have more fights in civilian life.

Americans, we passionately believe, are a humane people. We showed that in restoring wounded economies abroad after World War II, even those of our enemies, Germany and Japan.

After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.