There is a misperception, if you will, in critical response or even in Hollywood, that I can only do exaggerated characters. Or what they would call over-the-top performances. Well, this is completely false.

Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.

If I could have been a marine biologist I would have, but I didn't have that kind of intelligence. Numbers were never my strong point.

I think what makes people fascinating is conflict, it's drama, it's the human condition. Nobody wants to watch perfection.

In just my interaction, I go to factories, and I talk to our employees. And in Canada, they have had a least a year or two more education. It's like, almost, I never run into anybody who hasn't finished high school. And in the United States, you have a lot who dropped out of 11th grade or whatever.

Someone must transform income into the food, shelter, clothing, nurture, discipline, education, minding, nursing, transportation, and emotional support that creates life outside of the office, permits survival of the race, cares for the ill and disabled, and makes life livable when we can no longer care for ourselves.

To create the power of competence without creating a corresponding direction to guide the use of that power is bad education.

In school, you learn that there are only seven kinds of stories. There's man versus nature, man versus man, man versus himself, blah blah blah. So it doesn't matter what they're called. It's this: do you have a new story that fits into one of those things.