It's so important as a creative person to go out and look for things. Go to galleries, talk to people, read books. Yes, you can just type something into Google, but if you read and interact, you'll have a deeper understanding of the world.

When I first moved to London for university, I was already a big fan of Diesel because, in the nineties, Diesel was, like, the brand. The stores were the place to go. It wasn't workwear like Levi's or G-Star.

Actually, I never liked the idea of bags. I would say, 'Why do so many of my friends spend so much money on these bloody bags?' But once I started designing them, I was completely hooked. There are all of these blogs about bags. It's a whole other industry, and I'm really excited to be a part of it.

Style has replaced elegance. Before, I believed that style is something a person embodied. But now it's so easy to buy good style if you have the money.

All parents believe their children can do the impossible. They thought it the minute we were born, and no matter how hard we've tried to prove them wrong, they all think it about us now. And the really annoying thing is, they're probably right.

My family realized I was going to do birth work and then music; they were like, 'What's a doula? This is not what you were meant to do!' And I was like, 'Everyone thinks they can only do one thing.'

I always wondered, like, you know how you go to the family barbecue, and your uncle is that funny guy that you laugh at because he's family? That's how I felt with 'Fighter and the Kid.' People would laugh at my stuff, but it was always tough for me to tell. I just needed to see if there was something going on.

My finding of myself as an artist, which I think in itself helped me to find just who I am and how I want to express myself, is entirely - in conjunction, of course, with my family, particularly my mom - founded on teachers.