Part of making art is learning how you make it best. I'm not great at sitting down at a desk and writing for three hours. I write best verbally, talking through an idea with people, so I do my best work when I collaborate.

I didn't have any terrible survival jobs. The main job I had before I was able to transition over to acting full-time was working at an after-school program at a middle school teaching improv and standup. So even when I had a regular job, I was still lucky enough to be doing the stuff I loved in some way.

You have to have a first job to learn how to act, do interviews, pose for photo shoots, and negotiate how you'll say lines with writers. My first network show, 'Cavemen,' just happened to be one that was culturally reviled.

Doing radio commercials was how I was really able to leave my day job.

If you became a comedian in the '80s, you had to work the circuit and make people laugh. Canned laughter is cheating.

A boring speech can be just a boring speech. But a speech with a joke that falls flat is awful. I hate it. That's why I think it's easier to hate a comedy. If a drama doesn't land, it's boring; if a joke doesn't land - you hate that.

The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.

A lot of times in movies, especially in sequels, the characters become caricatures and just sort of improv machines and joke machines, rather than people you can actually connect to.