I think I've grown up in a mixed environment, and maybe a lot of the time I haven't really belonged anywhere in the way I've dreamt of belonging to, you know, living on the street and playing to all the kids on the street, growing up together. I suppose 'Raw Like Sushi' was a place where all of those things could come together.

I've always worked with my partner, my husband, Cameron, since 'Raw Like Sushi,' and in a way, I feel very free with what I do, but he also has an amazing insight in having intuitions that tend to be right a lot of the time, about where we should go next.

I found my place when I moved to London, where I chose to live, making my own tribe who were all from different backgrounds and places. The class thing is very dominant there, but in the cultural cross-fertilization, I felt a sense of belonging.

I'm quite a particular singer, and I need to feel like I can bite into the song, in a way, to make it my own. You want the challenge of the songs having some attitude.

As a child, I was fortunate enough to be close to family members who were - and still are - great storytellers. I was a gullible country boy from Rocky Mount, Virginia, and I believed every folktale they told me, no matter how fantastic.

My mother's family has been in Maine for over 300 years on the same farm. They have a King George III deed.

When you look at a family, if you have a family that never interacts with each other, never has strong conversation with each other, never has disagreements, nine times out of ten you have a very cold family and they're not going to be, at the end, they're not going to be close.

My favourite thing about the holiday season is to spend time with family and friends and to take time off to celebrate.