I can easily connect with the prepubescent dork I spent much of my life being.

I knew at a young age that I wanted to do comedy, and maybe part of that was trying to fit in at school because I had a weird name, and my parents had these accents, and I was definitely a late bloomer.

I'm used to music as a tool, taking the various elements and then making something completely new out of them. And writing film music is the perfect opportunity to do that, because you can look at the film and then just let your imagination soar.

My younger sister retired a few years ago after a 30-year career teaching history and social studies at an inner-city high school.

I come from a background where people have had their own business, where it has been incredibly tough for a long period of time, and you are only as good as the last contract you have got, as the last job you have done, where the notion of a precarious existence does exist, as it does for a lot of people.

Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.