Most professional women I know - myself included - long since gave up looking for a rulebook or a roadmap; we make it up as we go along. Every day presents a new choice, a new challenge, which makes long-term career planning seem like an especially abstract exercise.

Photographer James Nachtwey has spent his professional life in the places people most want to avoid: war zones and refugee camps, the city flattened by an earthquake, the village swallowed by a flood, the farm hollowed out by famine.

There are many things that matter much more than an editor's gender in shaping the direction of the leadership.

The understanding of Syria's devastating civil war has been distorted by the immense danger and difficulty of covering it.

Donald Trump, having spent decades in the public eye as an entertainer, may not understand what the nuclear triad is, or what America's 'first use' nuclear policy is, or why starting a trade war would be a disaster. But he does understand storytelling, the power of a clear narrative, and the importance of stirring emotion.

For some people, makeup is their war paint; that's putting their best foot forward. Others feel better with no makeup. It's so personal - who are we to judge?

The normal profits of a business concern in the United States are six, eight, ten, and sometimes twelve percent. But war-time profits - ah! that is another matter - twenty, sixty, one hundred, three hundred, and even eighteen hundred per cent - the sky is the limit.

There is a lot of evidence to back up the assertion that war fiction takes time. Many all-time classics of the genre, from Erich Maria Remarque's 'All Quiet on the Western Front' to Joseph Heller's 'Catch-22' to Tim O'Brien's 'The Things They Carried,' took over a decade to pen.