Everything that I am going to do as an actress doesn't matter where it's coming from. It just has to be interesting.

I think 'NH10' could have been done equally well by anybody else, and it's not a 'female-centric' or 'male-centric' film. It's the story that will appeal to the audience.

I don't think that a film should be known as 'male-centric' or 'female-centric,' but it should be known for the story. That would be really nice, and viable, too.

Usually, I come for film promotions or events, but I have so many fond memories of Delhi.

There are a lot of great things about food, but it's something that's an eternal struggle in our contemporary society, where and how food is made, where it's coming from, how much to consume. There are so many layers to it.

I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.

In summers, while growing up in India, we often slept in the courtyard under the stars.

It's fun finding your way to the performance instead of coming in and hoping to God you're impressing the director - and hoping you're delivering the lines right with no treatment beforehand.