Especially with Fantomas, i'm just trying to stretch out what the band can do. Figuring out, really, on the job or on recordings, what I can or can't get away with.

I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?

A Perfect Place' is character-driven. The director for that wanted a couple of identifiable themes with a bunch of variations. That is what I did. The director for 'The Solitude of Prime Numbers' did not want that at all.

Most solo artists go out on their own and put their name on the record. I prefer to create little alternative universes.

I worked for this company that repossessed cars. Sure enough, the day after I quit, they repossessed my car, but that would probably be my strangest job to date. You have to work your way up to become a hardcore repo man.

When you have a relationship with music, and it's that deeply a part of your life, it's so much more than a career choice for me. It's an extension of who I am.

Looking at it half-full, there was only two singers in Motley, me and Vince, and I'm still here, 25 years later. And whether I like it or not, I'm the other singer for Motley Crue, and not to sound weird, but I've gotten a lot of extra mileage, I think, out of my career because of it, so I have nothing but positive things to say.

I think anyone who has a job in the entertainment industry that is ongoing and then decides they get bored and doesn't want to do it anymore is foolish!