I treat my writing like a day job, like my main job, even if for many years I was doing other jobs to pay the bills. I worked as a copy editor. I was a medical guinea pig. I was an eBay power seller of ladies' handbags. I was an assistant to a bookie at the horse races. I bartended. I did anything I could to make ends meet.

There is that potential of the expats coming back to the Philippines. But sadly they are no opportunities, no incentive for them to come back home. Successive governments have, in fact, been training them to export them rather than working on the economy to welcome them home.

I don't see myself as any different from all the other Filipinos who have gone abroad looking for opportunity, to be a nurse, a labourer, a maid or a prostitute.

Touching on universality is an important part of effective storytelling, but the problem with cliches is that they are tired and dull. And that's where writers must try to be artful.

Yes, I love playing football, so it doesn't matter where I play.

If we don't have an informed electorate we don't have a democracy. So I don't care how people get the information, as long as they get it. I'm just doing it my particular way and I feel lucky I can do it the way I want to do it.

Noam Chomsky has a book, which I read for the first time when I was in Spain, called 'Fear of Democracy'. There is your answer. Fear of democracy. In Honduras, they had a sham democracy. It was run by elites, what was called a liberal democracy, but in reality was a false democracy.

The fact that I have to set things to record seems idiotic. And channel guides - I get home, and I want to watch a Duke basketball game; why do I have to go hunting to find out what channel it's on? Why can't I just say, 'I want to watch Duke basketball.' Or, even better, why doesn't the system know that?