I treat my writing like a day job, like my main job, even if for many years I was doing other jobs to pay the bills. I worked as a copy editor. I was a medical guinea pig. I was an eBay power seller of ladies' handbags. I was an assistant to a bookie at the horse races. I bartended. I did anything I could to make ends meet.

There is that potential of the expats coming back to the Philippines. But sadly they are no opportunities, no incentive for them to come back home. Successive governments have, in fact, been training them to export them rather than working on the economy to welcome them home.

I don't see myself as any different from all the other Filipinos who have gone abroad looking for opportunity, to be a nurse, a labourer, a maid or a prostitute.

Touching on universality is an important part of effective storytelling, but the problem with cliches is that they are tired and dull. And that's where writers must try to be artful.

People are doing what they can these days and looking for creative ways to sell music.

People ask me all the time which I would prefer doing more, but I honestly can't say. When I'm filming, I'm like, 'No, this is my favorite,' and when I'm writing music and recording and performing, it's like, 'This is definitely it.'

I never felt that I was typecast, but I was concerned about it. I certainly made an effort to take as many parts in theater and film that resisted that. If you only learn how to act a certain kind of role, it is very difficult to grow as an actor.

For decades, the men at Area 51 thought they'd take their secrets to the grave. At the height of the Cold War, they cultivated anonymity while pursuing some of the country's most covert projects. Conspiracy theories were left to popular imagination.