In a nutshell, directing 'The Gift' was all about understanding how the complex machine that is 'Game of Thrones' works.

I think it's my job to fight. The studio makes you question your idea, and you have to prove it.

I try to just focus on what feels right to me when I am conceiving it, conceptualizing, designing, etc. and then talk it through with the team and listen to what they have to say. This kind of thing is a team effort, and working with a great team is the most important part of filmmaking for me.

I have a tendency to feel a bit embarrassed when approached, but it's such a thrill to know that you did something that people enjoyed so much. It's an even bigger thrill when they talk to you about ideas that you worked so hard to get in there, and they single them out as reasons they enjoyed it so much.

I have to pick myself up every day and say, 'The show must go on,' meaning life as I know it must go on, whatever the obstacle is, I know I can handle it, and I can get through it.

I've been in many relationships in my life and learned a lot from them, good and bad.

I don't believe that narrative works when it's trying to teach a lesson or speak a factual truth.

Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world.