In my family, growing up, the women were always the ones who were powerful, and they exuded this charisma of empowerment that I hold onto and always remember. I had some difficult times, but these strong women were always a constant.

When I decided to go to art school, it wasn't necessarily something I thought I needed. No one talked about graduate school when I was an undergrad. I went on to a residency at the Studio Museum in Harlem, and that transition from Yale to the Studio Museum, that was the real beginning of my professional career.

There's a greater power and charisma when a woman is aware of her sexual prowess when it's not necessarily about victimization or someone else's pleasure but her own feeling about her own body and understanding and loving herself.

I look to a lot of artists who don't focus on one medium, who you can't pigeonhole.

Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success on the stage.

The things that I have done that haven't been as successful have been things that have been largely out of the public view, which is great. It's terrible, when you're a theater writer, to have a big flop publicly.

I didn't want to go to school, because I wanted to be an artist, and they were never going to teach me art. None of my family had ever done that kind of stuff either.

Every human being in this world is interested in certain things. Everybody has a hobby. Some people like art; I know nothing about it. Some people like books, some people like fishing, some people like music. I like to look at cars.