A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.

I think music, in my opinion, is not about motivation in the way it's - it's not a running base. It's art. And my whole philosophy of music is different. It's almost like cooking and serving to people, seeing them smile and enjoying the food, really.

I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.

While my mother wanted me to be a musician, I wanted to become an electronic engineer.

It's all about story and character with me, and I don't care if the job is on daytime or prime time or the web. Hey, give me a good character and someone to listen, and I'll do my acting on a street corner.

There was a time... when people didn't go out of their house on Tuesday night at eight o'clock because Milton Berle was on.

When you're managing a team the key is, I guess, to find where those boundaries are, where you're prepared to let people go, to what extent you're allowing them to be a free spirit because ultimately it's all got to be in the greater cause which is making sure the team wins cricket games.

The spirit around leaving New York, for me, was that I just felt I needed to do something really outside of my comfort zone. And I really couldn't tell you at the time why I needed to do it. It wasn't like I was running from something dark; it was a desire to shake things up.