I do love the Nat King Cole stuff, the classic Christmas records. There's something about putting those records on and hearing his voice at Christmastime that brings back a lot of great memories of growing up.

I was attracted to black music for the same reason that I loved those old Irish ballads. Both were social statements of sorts, and both were indigenous to their respective cultures: Ireland, where my father had grown up, and towns like St. Louis along the Mississippi River, where I was growing up.

I played so many clubs growing up, and back in that period, in the '60s, we'd play, like, four, five sets a night.

Throughout my career, there has always been an element of surprise. Sometimes there are moments of disappointment; sometimes there are moments of surprising success.

You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.

Throughout my life and career, I have continually been impressed with the importance of integrity - whether it was growing up as a Boy Scout, working in one of my first jobs as a university janitor, or being a leader in a Fortune 500 company.

I've taken blame about being a bad father - if being a bad father is working your butt off trying to create a career at one time.

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