Because we had no money when I was growing up, when I started dancing, I wasn't allowed to be frivolous - my mum made me go to every lesson because she was paying for it.

As soon as I started dancing at 14, I knew I was always going to be a professional dancer.

When you dance together, there's a fabulous interaction. It's quite intimate. You're touching your partner, leading them. Learning how to behave in that person's proximity is a skill. I love it. I can't imagine tiring of it.

A dancer's career is short - you just keep going until your legs pack up.

Directors, like actors, get typecast. And because I've had great success with comedy and horror and TV shows, that's basically what I'm kind of offered.

My view of democratic socialism builds on the success of many other countries around the world that have done a far better job than we have in protecting the needs of their working families, their elderly citizens, the children, the sick and the poor.

I haven't deliberately set out to play the blonde bombshell in my movies. In fact, it's probably been quite the opposite. After the success of The Mask, I wasn't offered all that many blonde bombshell parts, to be honest. I think people believed from the beginning that I could actually walk and talk at the same time.

As a working woman at the height of my career, I know age has only enhanced my professional and personal abilities. It has brought a sense of calm to the drive for success.