Existential philosophy, poetry and art - just like sadness - were all unavoidable to a tender young man in the meat works.

As a cartoonist, I am not interested in defending the dominant, the powerful, the well-resourced and the well-armed because such groups are usually not in need of advocacy, moral support or sympathetic understanding; they have already organised sufficient publicity for themselves and prosecute their points of view with great efficiency.

So few humans seem to fully exist themselves that I wonder if all this endless speculation and haggling about God is really an exploration of a more interesting and embarrassing question about ourselves.

At the age of nine, I simultaneously fell in love with two Dutch sisters because they seemed so beautifully strange, and their clothes were mysterious and alluring - added to which, they could not speak a word of English. More than anything, I wanted to connect with them and embark on a vast journey of exploration.

When I want to make someone laugh in real life (as opposed to when I'm on stage where I tell one-liners), I tend to do prop comedy. For example, if I'm at the supermarket with my husband, I might put 16 bags of marshmallows in our cart when he's not looking, or if I'm trying to make a kid smile, I'll put my glasses on crooked.

Part of the joy of dancing is conversation. Trouble is, some men can't talk and dance at the same time.

The thing that's really cool for me about Miami Beach is you have this dichotomy between sunlight and family and happiness and innocence and then at night, darker, stranger mob conspiracy stuff sort of comes out. It seems like a storytelling engine. You can just keep writing about how those two worlds smash into each other.

We need fundamental change. In the past, national development led to people's happiness but now the link between national growth and improvement in people's lives has been severed.