For 'So Cold the River,' I'm actually working on adapting the book with Scott Silver, who was just nominated for an Oscar for 'The Fighter,' and who also wrote '8 Mile,' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.

I made a very conscious effort to finish 'The Cypress House' before 'So Cold the River' launched, because I thought that would help build a buffer between my writing and any impact that came from either the success or the failure of that first book.

Envy the Night' was my first stand alone, the first book I'd written in the third person and I loved the feel of that, and it was different but it was also the same. 'So Cold the River,' I knew, was going to be really different, and that's why I thought about doing it as a novella under a pseudonym, because I didn't want to damage my career.

Ultimately, in my mind, that's what I'm trying to do with my fiction; I'm trying to transport my reader into a different world.

I was told at first that being different was a bad thing. Everywhere I went, it was just, 'You're too different'... And it turned out that being different was the best thing that ever happened to my career. It is why people travel to my shows. It's why people want to hear my story and buy my book.

The acting thing is so beyond my control. Acting isn't mine. You're like a tiny piece in this big, corporate mechanism that needs chemistry and divine intervention.

I considered becoming a priest very seriously. I wanted to travel the world. By the time I turned 16, I realized I was only in it for selfish reasons. And, more importantly, I didn't want to sacrifice the ladies!

Immigrants and foreigners have always been an indispensable part of our country, including its great record in scientific research.