There are huge divorces and divides and chasms in black America between the have-gots and the have-nots, between the monied and the poor, between the educated and the non-educated. And there are huge and growing chasms daily. And I want to say that it's not simply about generation. It's about genre.

Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.

It is bad enough to be white and poor; it is worse still to be black, or brown, and female, and young, and poor. Simply said, race makes class hurt more.

I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence.

The early years of my life were very, very traumatic. It was scary, because any child knew that death was sort of lurking around Europe as far as Jews were concerned.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

London had so much death in its history, it was hard to find a spot without spirits. They formed a safety net. Still, you had to hope the ones you got were good.

The Egyptian experience suggests that social media can greatly accelerate the death of already dying authoritarian regimes.