When you're learning how to do magic, the first rule is 'never reveal a secret.' In a way, by telling someone I'm a magician, it kind of gives away the best secret of all... How interesting to take the magician out of the equation of a magic show.

My goal is to get people to really believe that the impossible is real, and not that I'm responsible for it. I want them to believe that they're having the most unusual, magical and bizarre days of their lives.

The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.

It's very exciting to take magic into a new direction, whereas a lot of times magic comes from a place of sort of ego, like, 'Look what I can do that you can't do.' It kind of comes across that way a lot, and you're always trying to challenge the magician; you're always trying to figure out how the magician is doing it.

Comedy is inherently subversive because it turns the normal reality on its head. The art form is all about these questions and contradictions. In comedy, we're dealing with language that we all understand, but words can have a dozen other things around them that alter or affect meaning.

When I did 'Sex and the City,' it was like, 'Let's do a comedy where the humor is not coming from innuendo but from the a truthful place. This is a show where we're going to be able to say and do what we want.'

Humor is an antidote to all ills.

Everything human is pathetic. The secret source of humor itself is not joy but sorrow. There is no humor in heaven.