If children are given some real content, they can feel powerful with their own understanding of it. I think a movie like 'Indian in the Cupboard' will instruct them how to proceed as people. They can think about whether they would have done something the way a character did, how they would have felt about an event in the story.

My idea of a good fantasy is something that's absolutely grounded in reality. And there's a little element that doesn't belong there - and that's the fantasy element - that you have to react to and deal with in a completely real way.

Children are primed to take in something of more moral value than they're getting. I know I'm blowing my own horn here, but 'E.T.' had value to it in terms of the feeling about yourself that you walked away with.

I have two little children. I didn't want to be missing their childhood while I was away, busy writing about children.

The saga of a nation is the saga of its families written large. And whoever owns the family owns the future.

My mother and father were supportive. But in an Italian family, you kind of work with your hands, or you are an engineer or a doctor. But an actor was something they couldn't get hold of. They were afraid I wouldn't be able to make a living, and for many years, they were right.

My family brought me up to be very respectful of people.

My mom had a job, and she also took care of us, and she also took care of Dad - I always saw her pulling triple duty, doing more than I ever felt like she needed to. I made a promise to myself that it would be more of a team effort in my family someday. And because of that, I became more independent.