I always thought Broadway's the goal, and then I moved out to L.A. with 'Wicked' and started doing guest-star spots and little recurring things, and I was like, 'Well, this is pretty great; I'm kind of digging this.'

Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.

I am not a writer.

People think that theater actors are too big for the camera. It's like, 'No, we're actors and we adjust for our audience.'

At a certain point, a critical mass of people either have used the Internet or have expectations. Anything less than the free flow of information will be seen as having something taken away. We've seen time and again - in Egypt and Iran, for example - that creates a backlash.

In the early 1990s we witnessed the emergence of a revitalized contemporary Chinese art world that began as a reaction against the government-approved Social Realist style. Zhang Xiaogang, Huang Yong Ping, Ai WeiWei, Yue Minjun, and Wang Guangyi were among the first group of artists to establish a movement that became known as Cynical Realism.

Motion comics take the underlying physical book material and enhance or modify it slightly enough to make it unique and, we think, best-suited for a digital environment.

Artists know they need to have digital presences to build and bolster their fan base, and fans have exploited that fact.