Coming from L.A. to D.C., I'm always impressed that in D.C., people are doing the things that the people in L.A. are pretending to do. Whenever I'm in D.C., I ask people what they do, and they say, 'I'm with the agency, or I'm with State.' In L.A., I ran into a guy who said, 'I'm working on an audition for a guy who happens to be with an agency.'

I started acting in junior high. I was in 'Guys and Dolls.' I was Stanley Kowalski. In my head, before coming to Hollywood, I thought, 'I can play anything.'

I've always had a foot in everything. As a kid, I was active in sports and theater. Now, I'm learning I have to focus a bit. I'm trying to get to next projects, like writing a screenplay. Once that comes together, I could put my mind to another book - maybe a fun kids' book.

One of the first memories I have, we went to - actually, we stopped in New York for a little bit, and I remember going to Macy's with my mom. And I was a big fan of the color orange, and they had Snoopy orange gloves, hat and scarves. And I bought it, and it was the best thing ever. I loved America right there. That was it.

Working on newspapers, you're writing to a certain length, often very brief pieces; you tend to look for easy forms of humor - women can't drive, things like that. That's about the level of a lot of newspaper humor. It becomes a form of laziness.

When humor works, it works because it's clarifying what people already feel. It has to come from someplace real.

Don't get me wrong, I'm under no illusions, I've got a very old-school, mainstream leaning to the way I present my comedy because I actually like jokes and don't just do observational stuff.

I never dreamed that the little ditties I wrote about annoying customers or bagel recipes would turn into a full-length musical comedy. But a very wise person told me to 'write what you know'. So I did.