I don't have a philosophy for choosing roles. Sometimes, it's just, 'This might be interesting; that might be fun to do.' There might be interesting actors or directors in the project, even if the part is not important. And then sometimes, you need the money.

It's not a matter of learning lines. It's a matter of getting into the ideas and the will of the person. It's a matter of, 'What does he want to do? What does he want to achieve?'

The studio rented a house for my wife in Los Angeles under a phony name to keep reporters away. Whenever I wanted to visit her and my children, I would have to sneak in the back door after dark.

We should look back now and then. Our politicians should look back every now and then.

Creativity was definitely a big part of our household, and I remember always writing stories and being encouraged to be creative.

I enjoy getting things done. My philosophy is the edge, the edge of something. There's where we have to go in local government, in not only the philosophy but the creativity in people around you. They have to go to the edge.

On a job, there's so much commitment you have to give, in regards to time, research... I like the tunnel vision of it that prevents anything else from getting in. The creativity and collaboration required there is very rewarding.

Our duty as journalists is to use our clarity - and our imagination - to build hope in the societies in which we work. Our duty is to keep holding power to account, and to fight for press freedom around the world.