I was a handyman in an office building across from Penn Station for two entire summers while I was still in school and the summer after. I had to wear a big, gray jumpsuit kind of thing that had the name of the company in a big patch on my chest, and I was sent to fix things and didn't know what I was doing.

My career hadn't rocketed to the top of anything, but I've worked consistently and done things I've loved.

Honestly, I wish I'd known just how hard it is and how competitive the acting world is. I took my time; I went at my own pace. That's been helpful over the years, but also, I didn't quite realize how incredible everyone else was going to be: the level of competition and everyone's skill.

I grew up with the movies of Gene Kelly and Fred Astaire and Judy Garland - these are the kinds of shows and the kinds of numbers in shows that I dreamed of being in and doing when I was a kid.

I'm a man that's unique to the world. That's kind of the star I was born under - on the cusp of Capricorn and Aquarius. My mother is Irish-American, and my father is Afro-Panamanian, so it's kind of been the story of my life to be a bridge between different cultures and different styles, and musically, that's between jazz and R&B.

I was kind of a strange child. My parents knew early on that something must have been wrong with me. I crawled backwards until I was two, but had Kennedy's inaugural address memorized by the time I was six.

I dispute the idea that we turn into our parents. These children who have come into my life are unique beings. I don't think I am teaching my children anything, frankly. I think they are teaching me.

Jerry Sloan was a guy that I always respected, but I thought he was mean. Like, he was a guy that was just no nonsense. When coach and I got closer during the Olympics, I said, 'Coach, I always just thought you were this mean guy, but it was really nice to get to know you and your family.'