I actually wrote my first zombie book way before I got the job on 'Saturday Night Live.'

I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.'

I wanted to serve. It was Desert Storm. I thought, 'I was a rich kid, and America's been good to me.'

Zombies let us explore notions of the apocalypse - no water, food, medical care, the government imploding - while letting us sleep at night.

I just don't feel respected in the political process as a large donor or as a citizen voter. I just feel patronized. Everything I get is like, 'Hey, you couldn't possibly - it's too complex and sophisticated what really goes on,' and, 'Hey, leave it to us, and we will go and represent you and fight the good fight, and just give us money.'

I would love to have a Divas Money in the Bank. That would be cool.

Producer Michael Davies - who did 'Who Wants to Be a Millionaire' - offered me a TV show, but I turned it down. I wasn't negotiating: It just didn't sound like a good idea. Then he offered me another show, and I said, 'No thanks' again. When I heard about 'Win Ben Stein's Money,' I thought, 'OK, that sounds like a good idea.'

The financial passport is part of full access to the E.U. market, and a precondition for that is the contribution to the E.U. budget. That has been the case in Norway and in Switzerland. That is clear.