I go into calling any match, any fight - I don't care if it's the main event or the opener - that these guys have put in their work: they're here for a reason, and there's a reason I'm calling this fight, so I do want to give it as much attention and respect and energy as I would the main event or a championship fight.

It's a daily struggle for me to stay alive. I don't mean to be melodramatic, hyperbolic, or go into my broadcast mode. But even that, my career is bipolar.

WWE, in the back of my mind, was always the dream job, and most people don't get their dream jobs.

As an announcer, I have nothing but respect for the fighters, and I want to make sure I do my job to let the people know who these courageous warriors are, because they are putting their lives on the line for our entertainment, and there's something to be said about that.

When I was new, I didn't know where my career will go. Initially, my films were not even successful, but then I learned a lot from my mistakes.

I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.

It wasn't easy to get the family to this point. I had to work two jobs. I had all nine kids. I stayed there with them and got them all into show biz. I don't care what anyone else said, I did my job.

As your career goes on, you get to flex your brain a little more and play characters that are stronger and more intelligent.