Sag Harbor' brought me a new readership - it's a coming of age tale about growing up in the '80s.

Even growing up the way I did, I was shocked by the level of poverty I saw as a college student. I thought the best way to understand it was to get close to it on the ground level.

I don't think we can fix poverty without fixing housing, and I don't think we can address housing without understanding landlords.

I teach at Harvard, and focusing on understanding this problem on a national level is a big priority of mine right now - where evictions are going up and down, what cities are actually instituting policies that work, what housing insecurity is doing to our cities, neighbourhoods, our kids.

Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3D movie or anything like that. I'm just sort of happy to still be around.

What is of the nature of spirit and soul must be gleaned from facts belonging to the spirit and soul; we shall then know that in the living thinking which is liberated from the will, a life-germ has been discerned which passes through the gate of death, goes through the spiritual world after death, and afterwards returns again to earthly life.

The timing of death, like the ending of a story, gives a changed meaning to what preceded it.

Where does an actress go after playing Cleopatra's magnificent death? Why didn't Shakespeare write more - and more powerful - roles for mature women?