Sag Harbor' brought me a new readership - it's a coming of age tale about growing up in the '80s.

Even growing up the way I did, I was shocked by the level of poverty I saw as a college student. I thought the best way to understand it was to get close to it on the ground level.

I don't think we can fix poverty without fixing housing, and I don't think we can address housing without understanding landlords.

I teach at Harvard, and focusing on understanding this problem on a national level is a big priority of mine right now - where evictions are going up and down, what cities are actually instituting policies that work, what housing insecurity is doing to our cities, neighbourhoods, our kids.

We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money.

Money and other tangibles will come and go; they shouldn't be the foundation of your marriage.

While money is used to finance speech, money is not speech.

Wall Street has too much wealth and political power.