I got a lot of empathy from my mother growing up, and I think it prevented me from ever really just writing people off.

I have a background in erotic dancing, but that's mostly just - it's not professional, it's just amateur.

When you're used to being at a point where you're deadlifting close to 600 pounds, getting to be 5.5 percent body fat and seeing veins in places you shouldn't see them, it kind of skews your understanding of what is normal and OK.

The whole reason I did a bodybuilding show was to see how far I could push my own discipline. It was the hardest thing I've ever done. When I made the switch to acting, I was able to break that down into small, measurable goals like I did with bodybuilding.

When I did stand-up at U.C.B., and I had a blog for a couple of years that started my writing career, 'Totally Confident and Completely Insecure,' it was the same kind of self-deprecating humor and stories about being out in L.A. and being treated like a loser at a hair salon because you are not famous.

What I like and find liberating in dialogue comedy is that the characters, and what they say, are not me. These are fleeting thoughts and observations and not presented as truths but as something that illuminates the character and the dynamic between the characters. This kind of dialogue is thesis and antithesis - and we never get to a synthesis.

A lot of people into Tool, for some reason, are not interested in humor.

You can't always go by the book, even in comedy.