When I was 17, I listened to reggae music. I loved Bob Marley. I started growing dreadlocks. It's always been my way, that the outside matches what's going on with me inside.

Growing up, the way that I looked was very important to me. I was always trying to impress people, and when I grew my beard there was a certain freedom, a separation, getting past this the way I looked, identify myself as a spiritual seeker.

Every record I do is a learning process for how I want to do the next one.

I think when you're a fan of music - at least the way I've been a fan to artists that have really touched me - you're with them for the long haul. They might do things that you don't understand or agree with, but I think I've always tried to hold my judgment and give them the space to do what they need to do.

One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?

God gives talent. Work transforms talent into genius.

Let's let everybody believe what they want to believe. And that means, P.C. police, don't you be coming down on people who believe in God and who believe in Jesus.

My trust in God flows out of the experience of his loving me, day in and day out, whether the day is stormy or fair, whether I'm sick or in good health, whether I'm in a state of grace or disgrace. He comes to me where I live and loves me as I am.