I remember when I was growing up and watching southern people depicted on television, I thought, 'Well, based on what I'm seeing, I guess I'm supposed to be stupid and racist.' It's still, sadly, the easy route for a writer to go.

If you're not growing, you're dying, and I'm not ready for that.

There's a style to doing period pieces, and you can't do a Western without understanding 'My Darling Clementine.'

I've found that most people who studied when they were little, even if they never took another tap class, it's percussive, so it stays in your body, the muscle memory of it.

There's always a knee-jerk reaction in our business to analyze and determine why something didn't work.

My Brilliant Career was beautifully directed, but I had a bit of trouble with myself in it. It was a silly script, based on a book this 16-year-old girl wrote.

One of my friends started a company in 1997, seven years before Facebook, called SocialNet. And they had all these ideas, and you could be, like, a cat, and I'd be a dog on the Internet, and we'd have this virtual reality, and we would just not be ourselves. That didn't work because reality always works better than any fake version of it.

A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'