When you go to auditions, pretend you already have the job and you're just presenting - almost like you're at the table read. Don't go in with an air of, 'Please like me,' or, 'Please hire me.' You're like, 'Here's my take on it. Take it or leave it. I've got a lot of other things to do today.'

My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.

The really cool challenge of '24' was learning on camera how to be a dramatic actress. The biggest difficulty was the industry side of things. I was very lucky that I had Joel Surnow, one of the creators of '24,' in my corner. Early on, the Fox executives couldn't believe that I was on the show.

I had fun doing a lot of low-budget movies and web series. And I got back into stand-up where I started.

I try to give all my characters a sense of humor, so I guess I feel like I have done comedy, but maybe I'm better known for drama.

I do as much comedy as I possibly can, but I'm basically limited by the imagination of the secretaries who make the decisions.

I'm going to keep doing the comedy and the art that I do. I'm going to keep uplifting marginalized voices, and I think that's my place to do that.

Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.