I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.

I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'

I wanted to travel from the beginning. As a kid, I used to dream about airplanes, before I ever flew in one.

As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.

I am not afraid if people think Matt LeBlanc in 'Episodes' is who I am - my friends and family know who I am.

David Fincher is a longtime friend. As a director, my wife had worked with him as a makeup artist when he would do Madonna videos years before, and his child and my oldest child were in preschool together, so we're kind of dad-friends through that, too.

To have a relationship that is pure and passionate and beautiful - I think people are scared of having that now. Especially guys.

At any given time, all of us have an empty spot: one that is calling for companionship, for example, or for justice, love, romance, or a belly laugh. When I sit down to write, I look to see what hole needs filling at that particular moment.