Well, being from Mississippi, the church house is kind of the common denominator. It was for me growing up. Like so many public performers, that was the first place I was ever invited to sing.

Growing up in the Sixties, whether it was the Batmobile or the costumes Porter Wagoner wore or the music that came from there, California was the home of what a friend of mine calls 'custom culture.' It seemed like the promised land.

Hillbilly Rock' was the song that opened the door and gave me a reason to get a bus and a band and cowboy clothes to go out there and figure it out in front of everybody. And the hits started coming.

Growing up in Mississippi, the first song that I ever remember hearing, that captivated my mind and transported me from my bedroom out to the West, is a song called 'Don't Take Your Guns to Town' by Johnny Cash. That's when I was 5-years-old. And I played that song over and over again. I pantomimed it in school for show-and-tell.

The death industry markets caskets and embalming under the rubric of helping bodies look 'natural,' but our current death customs are as natural as training majestic creatures like bears and elephants to dance in cute little outfits, or erecting replicas of the Eiffel Tower and Venetian canals in the middle of the harsh American desert.

I got to work with Dustin Hoffman on a film called 'Billy Bathgate.' I got to work with Meryl Streep and Goldie Hawn and Bob Zemeckis on 'Death Becomes Her.' There are still a few actors out there that I would like to work with.

If you have fun, fine. It's not all life and death.

The subject of death is taboo. We feel, perhaps only subconsciously, that to be in contact with death in any way, even indirectly, somehow confronts us with the prospect of our own deaths, draws our own deaths closer and makes them more real and thinkable.