To me, the best projects are the ones where you have a pretty good idea of what the spine of it's gonna be, but then all sorts of things happen that you could've never predicted, and those are the magic moments of the films.

Of course no documentary is completely 'objective.' Every decision you make - who to interview, how to edit, where to hold the camera - imposes a point of view on the film.

When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.

I'm looking for a charismatic character - somebody who you just want to look at and listen to and whom the camera likes. I'm also looking for a narrative arc: Something is going to happen, and there will be a question that will make you wonder what happens at the end.

Oil wealth has been a curse on us, made us weak and docile.

Sometimes it looks like the board and the chairman are the worst enemy of the manager and the coaching staff, the football versus the financial side.

Our financial markets work best when they are competitive, fair, and transparent.

I really want to move away from the old model in which you have to rely on people giving $10 after a humanitarian crisis to a newer model where people give money but also their time and their skills, whatever they have, to the causes that are personally meaningful to them well before the crisis moment presents itself.